Girl From Nowhere: A Review

En route to tonight’s performance of Girl from Nowhere – a one woman play written and performed by the hugely talented (and sickeningly young) Victoria Rigby at Theatre 503 in Battersea, I was disappointed to read a less than positive review about the play. Fortunately, however, it was the review and not the play that was absolute rubbish.

Victoria Rigby’s performance as Jeanie Hogan, a failed rock star in the late 60s in America – who narrates the play from her childhood bedroom against a backdrop of her mother shouting at her – was gritty and engaging. From the moment the flame-haired actress (literally) screamed her way onto the stage she held the audience rapt with her powerful stage presence. Her acting was both believable and emotive, her singing voice and guitar skills faultless. When the play drew to a close I found myself wishing it was the end of the first half rather than the whole performance.

What struck me most (and I mean this in an entirely non-patronising way-at 32 I’m hardly on the scrap heap myself!) was how ageless Rigby’s performance was. She played the part of Jeanie with a rawness that both belied and transcended her real age.

In short, Girl From Nowhere was so impressive, punchy and brave a performance I felt moved to write this review and, in doing so, attempt to discredit the review I read earlier – which, whilst not wholly negative was still, in my opinion, an unfair portrayal of a talented lady whose star must surely be in its ascendance. It’s hard enough to make it in this business as it is, so it’s only right to give credit where it’s undeniably due.


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